The worlds of jewelry design, sculpting, and architecture may seem distinct at first glance. Yet, at their core, they share a profound connection, a dance of form and function that I've had the privilege to explore throughout my journey.
As an architect, I was trained to visualize spaces, to understand the interplay of light and shadow, and to respect the delicate balance between aesthetics and utility. Buildings, much like sculptures, stand as testament to human ingenuity, creativity, and our innate desire to leave a mark on the world.
When I ventured into the realm of jewelry design, I realized that these architectural principles were not just relevant but crucial. Jewelry, in essence, is a miniature sculpture, a wearable art form that adheres to the contours of the human body, much like how a building conforms to the landscape it occupies.
The Sculptural Essence
Sculpting, whether it's in the creation of towering statues or delicate jewelry, is about molding raw materials into forms that evoke emotion, tell stories, and capture moments in time. The tactile nature of sculpting, where every chisel mark or twist of wire adds depth and character, is mirrored in the crafting of jewelry. Each piece, whether it's a mobile, stabile, or a necklace, is a three-dimensional exploration of space, weight, and balance.
Architectural Inspirations
The abstract geometric forms inherent in architectural designs have been a significant influence in my creations. Just as an architect would draw inspiration from the arches of Roman aqueducts or the intricate latticework of Islamic architecture, I too find myself echoing these motifs in my jewelry. The symmetry, the repetition, the play of positive and negative spaces—all these elements are borrowed from the world of architecture and infused into my designs.
Material and Technique
In both sculpting and jewelry design, the choice of material is paramount. My experiments with brass plated with gold, or threads and plates of brass, are reminiscent of an architect's decision to use brick, stone, or glass. The techniques employed, whether it's weaving, twisting, or hammering, are akin to the methods an architect or sculptor might use to bring their vision to life.
A Personal Journey
For me, every piece of jewelry is more than just an ornament. It's a project, a tangible manifestation of a dream, a memory, a "collective memory." The same can be said of sculptures and architectural marvels. They stand as markers of our civilization, our aspirations, and our shared human experience.
The lines between architecture, sculpting, and jewelry design are beautifully blurred. They are disciplines that celebrate the human spirit, our history, and our relentless pursuit of beauty and meaning. As I continue to create, drawing from my architectural background and my love for sculpting, I invite you all to see beyond the mere form and delve into the stories, dreams, and memories each piece embodies.